9/13/2023 0 Comments Agena saiIndividuals will encounter obstacles in Kobudo training which they must overcome thus, committing to a pathway until success is achieved. Conditioning our movements to the correct standards of execution requires tremendous physical effort and concentration of will. We cannot achieve perfection in our body without achieving perfection in our mind. The practical and philosophical aim of training is to unite the mind and the body together as one. When the aim is directed towards something beyond physical prowess, traditional Kobudo becomes an art. At this level, the body has been trained into an instrument of offensive and defensive potential. By repetition of movement, it is the goal to master the correct mechanics so that techniques are executed without conscious effort. In training, the primary intention is to mold the body to accord these physical laws. As with any science, there are basic laws that are integral to its application. The principles of traditional Kobudo are those of physical science. Secondly, an anxious commoner armed with clumsy farm tools would not fare well against a trained professional warrior with a variety of well made weapons at his disposal. Peasants did not have the time or energy to devote themselves to studying farm tools for martial use. Contrary to popular belief and martial arts myths, Okinawan weapons were not derived from farm implements. It generally refers to several different weapon traditions of Okinawan origin. Okinawan Kobudo is a Japanese term which can be translated as "Old Martial Way of Okinawa". Traditional Kobudo includes the use of the following weapons: Bo (Cudgel), Sai (Metal Fork), Tekko (Horse shoe), Nunchaku (Horse Bridal), Eku (Oar), Tonfa (Mill grind Handle), Kama (Sickle), Tinbe Rochin (Shield and Short Spear), and Suruchin (Weighted Chain). Yabiku’s most famous student was Taira Shinken. In 1925, Yabiku set up his dojo in Gumma Prefecture in mainland Japan. Yabiku learned much of his weapons from Chinen Sanda and in 1911 he formed the Ryukyu Kobujutsu Kenkyu Kai, the Association for the Study of Ryukyu Ancient Weapons Arts. Sakagawa, a native of Okinawa, traveled to China to learn the art of Tode (China Hand) and with it the use of the cudgel (Bo).Īnother master responsible for the growth of Ryukyu Kobudo was a man by the name of Yabiku Moden. The oldest documented history for Kobudo is believed to be around 1762 with Sakagawa Chikodun Peichin Kanga (1733-1815), also nicknamed “Sakagawa Tode” (China Hand Sakagawa). Ryukyu Kobudo is the term used for the ancient art of Okinawa Weaponry.
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